Throughout the United States, Christmas displays have appeared that comment on hardline federal immigration enforcement policies. These scenes retell the classic nativity story, depicting the infant Jesus and his family, Mary and Joseph, as victims caught up in the actions of enforcement agents.
One powerful installation at a congregation in Evanston, Illinois features baby Jesus placed within a manger amidst snow. Yet, the figure is wrapped in the type of thin, foil thermal blankets frequently distributed to those in custody and has its hands bound with zip-ties.
Close by, the figure of the Virgin Mary stands just outside the church, equipped with a respirator. Such gear has been adopted by activists attempting to guard against chemical agents. Beside her are figures of ancient soldiers, however in this scene they are wearing body armor marked with the letters âICE.â
At another Chicago church, the customary models of Jesus, Mary, and Joseph are conspicuously absent from the traditional display featuring animals and wise men. Instead, a sign carries a simple message: âBecause of enforcement actions in our neighborhood the holy family is in hiding.â
âChristmas is a time where we have displays in front of the church and we get an opportunity to say something,â said a church leader involved with one of the installations.
These artistic statements reflect the prominent role taken by faith leaders in recent demonstrations against federal policies. Comparable political displays have been erected in multiple states.
In one New England state, a parish took away the small statue of the baby Jesus from its creche. In its spot was a handmade sign that stated: âICE was here.â Church officials reportedly stood defiant despite complaints from both diocesan and agency officials.
For the creators of these displays, presenting the age-old tale of the nativity within a contemporary political context draws attention to current administrative priorities. They contend that the family's status as refugees parallels the real fears and experiences of many families today, including being torn apart and the deportation of breadwinning loved ones.
It is not the initial instance churches have employed Christmas displays for social commentary. Previously, displays have addressed topics ranging from war to the climate crisis.
The statements are not always universally welcomed. A church minister participating commented that some critics either misinterpret the intent or âconsider it very difficult to their conscience and are reacting negatively at the art rather than considering what the true message is.â
In a physical sense, the elements have also affected one display. At a separate church, the figure of St. Joseph was blown down in a windstorm and was unable to be repaired. A replacement sign now marks the spot, stating: âJoseph didnât make it. We keep this place to honor and remember all the those affected of immigration enforcement terror.â
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